Often pulsing with a score of ominous, insistent electronica, Ramin Bahrani's 99 Homes seems an echo from the fictional side of the story telling divide opposite documentaries of tragic economic chicanery like Enron: The Smartest Guys in the Room , Client 9 and Inside Job. All are films, whether apparent truth or fiction, concerning themselves with the deregulation of the financial industry that found its most devastating expression in the Global Financial Crisis (the swath of destruction vast enough that we can now grant it capital letters, like a world war) of 2008 and beyond. We're not given a specific date when we're dropped into the midst of the action, the great reversal, taking place in the U.S economy, but the setting is Orlando Florida (with unrecognizable suburbs of New Orleans standing in). What's clear is that the economic crisis, initiated largely by a multitude of doomed mortgages, is quickly fanning and settling like a gangrenous rot. This is